Rivendell 3

Do not submit here! This project is believed to be defunct.


RIVENDELL is a literary arts journal that recognizes and cherishes the places out of which art and literature are made and enjoyed: geographic locations, communities, shared sensibilities. In each issue we gather together poetry, fiction, creative nonfiction, original artwork, dispatches, and criticism from, about, and inspired by a particular place.

RivendellUnited States


G General 

Audience, Poetry Forms, Styles & Topics

Poetry Forms:unknown
Styles:Literary, Mainstream.

Types & Lengths

P Poemno line limits known
S Short Storyno specific word count limits known (our definition: 1000 to 7500 words)

Media & Publication Frequency

P Print PublicationUnknown publication frequency


We do not list pay specifics. Check with the publisher for details.
F FictionN No monetary payment.
P PoetryN No monetary payment.

Submission Types

Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary.
  Electronic SubsPostal SubsReprintsSimultaneous
F Fiction No OK No Unknown
P Poetry No OK No Unknown

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Before Submitting

We cannot guarantee that the information on this page is correct. It is not unusual for publications to evolve or close without notice. We do our best to keep up, but it isn't always possible. Just remember…

  • Always read the full guidelines provided by the publisher.
  • Try to read at least one previous publication to get a better idea of what the editor would like to see.
  • Unless the publisher's guidelines state otherwise, always use industry standard manuscript formatting.
  • For novel/collection publishers, it is standard to submit a cover letter, synopsis, and sample instead of the full manuscript. Do this unless otherwise instructed.
  • Include a SASE with all mailed submissions, queries, and requests for guidelines, unless the editor replies via or email or guidelines state otherwise.
  • Be professional, patient and persistent.


Date Added:
13 Mar 2007
Last Updated:
16 Mar 2009