Kayla Lightner 9

Within Commercial Fiction, she’s looking for… Speculative Fiction that introduces the reader to some secret/obscure society that plays a significant (but unknown) role in the workings of the world like Big Machine by Victor Lavalle and The Intuitionist by Colson Whitehead. Science Fiction that integrates west indie or African folklore like Midnight Robber by Nalo Hopkinson and the Binti series by Nnedi Okorafor; Novels that take place in a hierarchic/flawed society that blurs the lines between utopia and dystopia in the tradition of Aldous Huxley’s Brave New World; A story about an fleshed out, multi-dimensional, and unapologetically ruthless female dictator with a complicated past. Horror grounded in history, dealing with race, or revealing that real people/social institutions can be far more terrifying than fictionalized monsters, like Colson Whitehead’s Nickel Boys. Fantasy that contains a unique, non-Eurocentric pantheon, gods that interfere in the lives of mortals, and comprehensive magic systems that are rooted in African, Caribbean, or West Indian folklore like Nalo Hopkinson’s Brown Girl in the Ring; Stories with magical realism elements set in isolated southern towns like Mama Day by Gloria Naylor. Domestic Thrillers that are smart, fast-paced, and make the reader squeal in delight as they get to watch messy characters reap what they sow– if you took any article from The Cut and turned it into a novel. Within Literary Fiction, she’s looking for… Short Story collections that explore the experiences of black women in a manner that is both funny and poignant like Heads of the Colored People by Nafissa Thompson-Spires Satire (either as a short story collection or a novel) that pokes fun at the “American Dream” in the vein of George Saunders Civilwarland in Bad Decline or Paul Beety’s The Sellout. Family Sagas that are rooted in the immigrant experience like Zadie Smith’s White Teeth or that wrestle with the sins of the mother, father, and daughter too like Poisonwood Bible by Barbara Kingsolver.

Audience:

Open to a broad Audience.

Genres:

Genre	Subgenres
GGeneral General
FFantasy Fantasy	Open to all/most Subgenres, including: Magic Realism.
HHorror Horror	Subgenre: Historical.
SScience Fiction Science Fiction	Subgenre: Dystopian.
TSuspense/Thriller Suspense/Thriller	Open to all/most Subgenres.

Styles:

Open to all/most Styles, including: Literary, Mainstream, Satirical.

Topics:

Open to all/most Topics, including: Society/Culture (Ethnicity/Race, See guidelines).

Types/Lengths:

NNovel Novel

Submissions:

Electronic	Postal	Simultaneous
OK	No	OK

Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary.

Narrative Nonfiction that teaches the reader something about an overlooked demographic, their way of life, and how they see the world like J.D. Vance’s Hillbilly Elegy or Anne Fadiman’s The Spirit Catches You and You Fall Down; Would also love to work with a female sports journalist that covers female coaches in the NBA. Memoirs about growing up in the south (bonus points if you can incorporate southern cuisine/soul food); the experiences of first-generation college students at prestigious PWI’s (like Casey Gerald’s There Will Be No Miracles Here); and the experiences of WOC in comedy. Essay Collections that are smart, funny, and speak to girlhood and womanhood like Morgan Jerkins’ This Will Be My Undoing or mental health like I’m Telling the Truth, But I’m Lying by Bassey Ikpi; or that talk about horror movie history and tropes.

Audience:

Open to a broad Audience.

Styles:

Open to all/most Styles, including: Literary, Mainstream, Personal.

Topics:

Open to all/most Topics, including: Memoir (General, See guidelines), Sexuality/Gender (Women/Female issues, See guidelines).

Types/Lengths:

KNonfiction Collection Nonfiction Collection

OBook Book

Submissions:

Electronic	Postal	Simultaneous
OK	No	OK

Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary.