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Alexandra Machinist

An agent with Creative Artists Agency (see other agents at this agency).

About

Based in the New York office, Alexandra Machinist represents writers across a wide array of genres. Her clients are #1 New York Times bestsellers, National Book Award winners, and Pulitzer Prize winners. They include Elizabeth Acevedo, Andrea Bartz, Julia Bartz, Walt Bogdanich, Jack Carr, Jancee Dunn, Lucy Foley, Michael Forsythe, Emilia Hart, Darynda Jones, Martha Hall Kelly, Caroline Kepnes, Kevin Kwan, Linden Lewis, Jessa Maxwell, Julie Menanno, Emma Rosenblum, Marie Rutkoski, Peng Shepherd, Jen Sincero, Sabaa Tahir, and Beatriz Williams. Their work has been adapted into films and television shows, including CRAZY RICH ASIANS, THE TERMINAL LIST, and NIGHTBOOKS.

A former lawyer, Machinist is a graduate of the University of Michigan and the University of Virginia School of Law. She is an Ambassador of the American Joint Distribution Committee and a competitive equestrian.

Eighteen years into her career, she remains driven by the treasure hunt of finding the next great writer.

Country

United States

AI Policy

Human-created work only; no AI use allowed

Collapse section Fiction Open

She is particularly interested in upmarket, page-turning fiction that keeps her up all night reading.

Audience:

Open to a broad Audience.

Genres:

Open to all/most Genres, including:
General

Lengths:

Novel

Styles:

Open to all/most Styles, including: Literary, Mainstream.

Topics:

Open to all/most Topics.

Submissions:

Method: Email.
Simultaneous submissions: Simultaneous submissions are allowed.

Collapse section Nonfiction Open

Audience:

Open to a broad Audience.

Lengths:

Book

Styles:

Open to all/most Styles, including: Literary, Mainstream.

Topics:

Open to all/most Topics.

Submissions:

Method: Email.
Simultaneous submissions: Simultaneous submissions are allowed.

Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary.

Agent Impersonation Scams are becoming commonplace.
A legitimate agent will not contact you and request money to represent you. Never pay an agent an up-front fee. That is not how literary agent representation works. Agents earn a commission only after they've landed a publishing deal for you. Also, agents scarcely ever contact writers. If an agent that you haven't queried contacts you about representation, be suspicious. Look up the agent and check if the email address is correct for that agent/agency.

Alexandra Machinist Submission Statistics

The statistics in this section are compiled from submission reports sent to us through our submission tracker. They are not provided by the agency or by Duotrope's admins. Information in this section is updated a few times per day. Learn more about the statistics.

Filter:
Accuracy
We have received 1 report within the past 12 months, not including pending responses (see below). The more responses reported, the more accurate the information.
Pending
1 response is pending (124 days waiting). This only includes pending reports from people who have been active on Duotrope within the past 30 days

Other Information

Date compiled: 15 Sep 2026 09:45 UTC (less than a minute ago).

Work submitted to this agent was also submitted to...

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Your Submissions

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Before Submitting

We cannot guarantee that the information on this page is correct. We do our best to keep up, but it isn't always possible. Duotrope listings do not imply endorsement or recommendation of the agent or agency being listed. Before submitting, you should use your own judgment to determine whether the agent/agency meets your standards.

  • Always read the full guidelines provided by the agency/agent.
  • Unless the agency's guidelines state otherwise, always use industry standard manuscript formatting.
  • For agency submissions, it is standard to submit a query letter and sample instead of the full manuscript. Do this unless otherwise instructed.
  • Be professional, patient, and persistent.

Dates

Last Updated: 14 Jul 2026

We check their guidelines for changes every four weeks, and we audit the listing twice a year.

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