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Eddie Schneider

An agent with JABberwocky Literary Agency, Inc. (see other agents at this agency).

About

Eddie Schneider is the Vice President of JABberwocky Literary Agency, which he joined back when the nerve center was still Joshua Bilmes’ living room.

These days, the agency is in a real office, sandwiched between Grand Central Station and Times Square in midtown Manhattan, and the bustling new digs only serve to motivate Eddie in his pursuit of great authors, both new and new to JABberwocky.

Eddie is an Iowa graduate, where he studied fiction, poetry, and creative non-fiction. He has an M.S. in Publishing from New York University, and his client list includes Hugo, Andre Norton, Philip K. Dick, and Bram Stoker Award winners, as well as New York Times bestselling authors Brandon Sanderson, Daniel José Older, and Alison Wilgus.

When he isn’t agenting, reading, or editing, he has been known to run ultramarathons, and is technically an award-winner himself, although his form wouldn’t necessarily get rave reviews.

Country

United States

AI Policy

Unknown AI policy

Statistics Synopsis

Slower
Eddie Schneider's overall average response time is slower than most agents.
Normal Acceptance
Eddie Schneider's overall acceptance rate is within a normal range for agents.
More Responsive
Eddie Schneider's overall rate of non-response is lower than most agents.

Collapse section Fiction Open

Literary fiction: I’m an avid reader of literary fiction, and what lights up my cerebral cortex here are more plot-driven novels with a strong emotional core, which engage in areas beyond and outside the middle-class concerns endemic to a large swath of books published in this genre. Two examples of (non-client) novels from the last few years that I particularly enjoyed are Ruth Ozeki’s A Tale for the Time Being and Louise Erdrich’s Round House.

Science fiction: I love science fiction, especially SF set in the near future, often with social or cultural commentary, as well as the occasional space opera. Two examples of (non-client) novels that I enjoyed in this vein are Ursula K. LeGuin’s classic The Left Hand of Darkness and Octavia Butler’s Parable of the Sower. I am very much interested in SF written from non-Western cultural perspectives, and one good non-client example of that is G. Willow Wilson’s Alif the Unseen.

Fantasy: With fantasy, my favorite novels have tended to be those that toe both the real world and the fantastic. In any case, I go for stories with intricate, imaginative settings that are internally consistent, address political and social concerns, and have often found myself preferring tight writing to florid. I’m especially interested in fantasy novels set outside the Northern European milieu from which the genre originated. Two examples of (non-client) novels that I particularly enjoyed like this are Octavia Butler’s Kindred and Susanna Clarke’s Jonathan Strange & Mr. Norrell.

Young Adult: My favorite YA novels tend to be both character- and concept-driven, while embracing the intensity of emotion that characterizes a lot of the best YA fiction. A couple (non-client) favorites published in recent years include Laini Taylor’s Daughter of Smoke and Bone and American Street by Ibi Zoboi.

Middle Grade: Middle grade novels have a special resonance for me, in part because the genre has such breadth. As with YA, I’m also interested in both realistic/contemporary and sf/fantasy. Two examples of (non-client) novels that I really enjoyed are Dianna Wynne Jones’ classic Howl’s Moving Castle and Rebecca Stead’s When You Reach Me.

Audience:

Open to a broad Audience, including: Adults, Middle grades, Young adults.

Genres:

General Open to all/most Subgenres
Fantasy Open to all/most Subgenres
Science Fiction Open to all/most Subgenres

Lengths:

Novel

Styles:

Open to all/most Styles, including: Literary, Mainstream.

Topics:

Open to all/most Topics.

Submissions:

Methods: Email. QueryTracker.
Simultaneous submissions: Simultaneous submissions are allowed.

Collapse section Nonfiction Open

Science: I have wide-ranging interests here that include the physical, earth, life, medical, and social sciences. Science books most likely to appeal to me tend to deal with specific topics, and sometimes unlikely ones. Examples of (non-client) books in this vein that I enjoyed are Rebecca Skloot’s The Immortal Life of Henrietta Lacks, and especially Mary Roach’s Stiff.

History: I am interested in histories that focus on a single subject, rather than wide-ranging works about a time or place. I particularly enjoy historical biographies, including those where the biography’s subject is an artifact or commodity. Examples of (non-client) books that capture the essence of what I’m after are Michael W. Twitty’s The Cooking Gene and Doris Kearns Goodwin’s No Ordinary Time.

Narrative nonfiction: Here, I’m interested in memoirs that take on issues that extend beyond those in the author’s own life, travel narratives that are socially engaged and possess an individual stamp, and in ‘nonfiction novels.’ Examples of (non-client) books that follow some of these paths include Sy Montgomery’s The Good, Good Pig and Lynne Cox’s Swimming to Antarctica.

Audience:

Open to a broad Audience, including: Adults.

Lengths:

Book

Styles:

Open to all/most Styles, including: Literary, Mainstream, Personal.

Topics:

Open to all/most Topics including...
Earth Sciences.
Health/Medicine.
History: General, Biographies.
Memoir.
Science.
Social Sciences: See guidelines.
Travel.

Submissions:

Methods: Email. QueryTracker.
Simultaneous submissions: Simultaneous submissions are allowed.

Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary.

Agent Impersonation Scams are becoming commonplace.
A legitimate agent will not contact you and request money to represent you. Never pay an agent an up-front fee. That is not how literary agent representation works. Agents earn a commission only after they've landed a publishing deal for you. Also, agents scarcely ever contact writers. If an agent that you haven't queried contacts you about representation, be suspicious. Look up the agent and check if the email address is correct for that agent/agency.

Eddie Schneider Submission Statistics

The statistics in this section are compiled from submission reports sent to us through our submission tracker. They are not provided by the agency or by Duotrope's admins. Information in this section is updated a few times per day. Learn more about the statistics.

Filter:
Accuracy
We have received 16 reports from 16 different members within the past 12 months. The more responses reported, the more accurate the information.
Days Reported
2 min | 128.7 mean avg | 13.0 median | 434 max days (247.7 std dev)
Responses
75.00 %
Acceptances:
0.00 %
Rejections:
75.00 % (31.5 avg. days per rejection) | 8.3 % personal, 91.7 % form, 0.0 % unspecified | 6.3 % partial MS requested
Non-Responses
25.00 %
Lost/Returned:
-
Never Responded:
25.00 % (396.0 avg. days before reporting submissions as never responded)
Withdrawals
-

Other Information

Most submissions are acknowledged on the same day.
Most recent response reported was received on 26 Jun 2026.
Responses have been received for submissions sent as recently as 09 May 2026.
Date compiled: 15 Sep 2026 09:59 UTC (less than a minute ago).

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Your Submissions

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Before Submitting

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Dates

Last Updated: 10 Aug 2026

We check their guidelines for changes every four weeks, and we audit the listing twice a year.

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