Stuti Shah An agent with The Rights Factory (see other agents at this agency). About Stuti Shah is an Associate Literary Agent and Film & TV Associate Agent at the The Rights Factory.She brings a unique combination of publishing experience and legal training to her work. A licensed lawyer in both Ontario and India, Stuti also holds a Diploma in Intellectual Property Law, and has undertaken the Publishing course at Toronto Metropolitan University.Prior to joining The Rights Factory, Stuti worked in international rights at Transatlantic Agency, advising on publishing contracts and collaborating with authors, publishers, and co-agents across domestic and international markets, giving her a close look at what makes a project stand out and a deal work for everyone at the table.Before moving into publishing, she practiced at a top-tier law firm, and that experience has shaped how she reviews deals and advocates for her clients. When Stuti believes in a project, she is a fierce and dedicated advocate for it, in her authors' corner at every stage of their publishing journey.Stuti loves working with authors whose heart and voice distinctly come through on the page. She is also drawn to diverse voices and culturally rooted stories, particularly South Asian stories and narratives. She has a soft spot for witty, sharp writing, sarcasm, satire, and pointed political undertones, with an appetite for bold, unflinching work that balances humour, warmth, or escapism with emotional insight.Stuti is based in Toronto. She serves on the Board of Directors of BIPOC Publishing in Canada and, when she's not advocating for her authors, she's usually at the theatre, on a comedy stage performing stand-up, or on her yoga mat. Country Canada AI Policy Unknown AI policy Collapse section Fiction Open She's interested in commercial and upmarket fiction and narrative-driven nonfiction for adult and YA readers, including book club fiction with an edge, historical fiction, thrillers and psychological suspense, cosy mysteries, speculative and genre-blending fiction, fantasy, sci-fi & cli-fi, dark academia, coming-of-age sagas, romcoms, contemporary relationship fiction, and funny or whimsical fiction.Audience:Open to a broad Audience, including: Adults, Young adults.Genres: General Open to all/most Subgenres, including: Cross-Genre, Historical Fantasy Open to all/most Subgenres Mystery/Crime Subgenre: Cozy Romance Subgenre: Romantic Comedy Science Fiction Open to all/most Subgenres Suspense/Thriller Open to all/most Subgenres, including: PsychologicalLengths: NovelStyles:Open to all/most Styles, including: Humorous, Mainstream.Topics: Open to all/most Topics.Submissions:Method: QueryTracker. Simultaneous submissions: Simultaneous submissions are allowed. Collapse section Nonfiction Open On the nonfiction side, she prefers memoir, true crime, and narrative nonfiction with a compelling voice.Audience:Open to a broad Audience, including: Adults, Young adults.Lengths: BookStyles:Open to all/most Styles, including: Mainstream.Topics: Open to all/most Topics including... Memoir. Society/Culture: Crime.Submissions:Method: QueryTracker. Simultaneous submissions: Simultaneous submissions are allowed. Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary. Go to agent's webpage Report: Submission/Query Correction/Update New Cover ArtSocial:Bluesky @therightsfactory.bsky.socialFacebook FacebookInstagram @therightsfactoryX (Twitter) @trfnews For the Agent: Duosuma Submission Manager Link to Duotrope Agent Impersonation Scams are becoming commonplace.A legitimate agent will not contact you and request money to represent you. Never pay an agent an up-front fee. That is not how literary agent representation works. Agents earn a commission only after they've landed a publishing deal for you. Also, agents scarcely ever contact writers. If an agent that you haven't queried contacts you about representation, be suspicious. Look up the agent and check if the email address is correct for that agent/agency. Stuti Shah Submission Statistics The statistics in this section are compiled from submission reports sent to us through our submission tracker. They are not provided by the agency or by Duotrope's admins. Information in this section is updated a few times per day. Learn more about the statistics. Filter: Category: All Categories Fiction Nonfiction Group by submission Include other agents at the same agency Accuracy: We have not received any complete reports within the past 12 months. Pending 4 responses are pending (32 min | 44.5 mean avg | 48.0 median | 50 max days waiting | 8.4 std dev) from 4 different members This only includes pending reports from people who have been active on Duotrope within the past 30 days Work submitted to this agent was also submitted to...This section is available to subscribers only. Sign up and start your free trial today!Members accepted by this agent also had work accepted by...This section is available to subscribers only. Become a member and start your free trial today! Your Submissions This section is available to subscribers only. Join today! Other Agents at this AgencyWayne ArthursonTamanna Bhasin DNQNikki CarreroClaire CavanaghJennifer ChevaisClara ChuitonHarry Endrulat DNQKathleen FoxxSam HiyateJulia KimNatalie KimberStacey Kondla DNQLindsay Leggett DNQAli McDonald DNQNatasha MihellLydia Moëd DNQTim Moore DNQHaskell Nussbaum DNQKaitlin Sooklal DNQAnna Trader DNQJes TrudelKodie Van DusenKathryn Willms Before SubmittingWe cannot guarantee that the information on this page is correct. We do our best to keep up, but it isn't always possible. Duotrope listings do not imply endorsement or recommendation of the agent or agency being listed. Before submitting, you should use your own judgment to determine whether the agent/agency meets your standards.Always read the full guidelines provided by the agency/agent.Unless the agency's guidelines state otherwise, always use industry standard manuscript formatting.For agency submissions, it is standard to submit a query letter and sample instead of the full manuscript. 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