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Ancient Exchanges

A project of Exchanges

About

Ancient Exchanges is an online journal devoted to literary translations of ancient texts. We are at once Exchanges’ younger sister and its centuries-old ancestral kin. Founded in Fall of 2019 by Adrienne Rose in collaboration with Aron Aji, the journal is supported by the University of Iowa’s Department of Classics and MFA program in Literary Translation.

Ancient Exchanges as a journal with a global perspective. We welcome submissions of translations from all languages, and particularly encourage submissions that prioritize the literary over the literal: translations that are contemporary and poetic, rhetorically arresting, aesthetically delightful, creative, adaptive, transformative, innovative, experimental, and multi-modal.

We hope Ancient Exchanges will transform the ways in which we read, teach, and find meaning in ancient literature through the means of translation. With a global scope, we seek to publish works that engage antiquity in ways that challenge traditional beliefs about what areas of study are valued as classics, including who gets to study and translate them. We hope Ancient Exchanges will appeal to emerging translators as a venue from which to sound their voices, and we particularly welcome submissions from people with perspectives that are innovative and underrepresented in Classics, including those working outside of academia.

Important: They primarily publish translations, which Duotrope does not cover.

Country of Publication & Year Established

United States
Established in 2019

Publication Medium & Frequency

Electronic Publication Electronic Publication
Unknown publication frequency

AI Policy

Unknown AI policy

Expand section Fiction DNQ

Collapse section Nonfiction Temp Closed

Query first

Audience:

Open to a broad Audience.

Lengths:

Essay: No specific word count limits known.

Styles:

Open to all/most Styles, including: Critical, Mainstream.

Topics:

Education/Pedagogy: See guidelines.
Literature/Books: Theory/Analysis/Criticism.

Payment:

No monetary payment No monetary payment.

Submissions:

Method: Email.
Reprints: Reprints are NOT allowed.
Simultaneous submissions: Simultaneous submissions are allowed.
Media: Text.

Expand section Poetry DNQ

Collapse section Visual Art Temp Closed

Audience:

Open to a broad Audience.

Lengths:

Artwork:

Art Media:

Open to all/most Art Media.

Art Styles:

Open to all/most Art Styles.

Topics:

Open to all/most Topics.

Payment:

No monetary payment No monetary payment.

Submissions:

Method: Email.
Reprints: Reprints are NOT allowed.
Simultaneous submissions: Simultaneous submissions are allowed.
Media: Image.

Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary.

Ancient Exchanges Submission Statistics

The statistics in this section are compiled from submission reports sent to us through our submission tracker. They are not provided by the publication's editors/staff or by Duotrope's admins. Information in this section is updated a few times per day. Learn more about the statistics.

We have not received any submission reports for this listing in the past 12 months.

Your Submissions

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Before Submitting

We cannot guarantee that the information on this page is correct. It is not unusual for publications to evolve or close without notice. We do our best to keep up, but it isn't always possible. Duotrope listings do not imply endorsement or recommendation of the project being listed. Before submitting, you should use your own judgment to determine whether the project meets your standards.

  • Always read the full guidelines provided by the publisher.
  • Try to read at least one previous publication to get a better idea of what the editor would like to see.
  • Unless the publisher's guidelines state otherwise, always use industry standard manuscript formatting.
  • Be professional, patient, and persistent.

Dates

Last Updated: 07 Sep 2026

We check their guidelines for changes every four weeks, and we audit the listing twice a year.

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