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Folded Space An Audio Science Fiction Anthology

A project of Tales to Terrify (see other related projects).

About

Folded Space exists to celebrate the art of storytelling. Our mission is to bring listeners compelling short form science fiction, space opera, and speculative tales through simple, high quality audio recordings. We believe in the power of voice and narrative without frills, filters, or distractions. We aim to amplify diverse voices from both emerging and established authors.

Want more insight into the editors' preferences? Read our interview with the editor(s).

Country of Publication & Year Established

United States
Established in 2026

Publication Medium & Frequency

Audio Publication Audio Publication
Unknown publication frequency

AI Policy

Human-created work only; no AI use allowed

Statistics Synopsis

Faster
Folded Space's overall average response time is faster than most magazines.
More Challenging
Folded Space's overall acceptance rate is lower than most magazines.
More Responsive
Folded Space's overall rate of non-response is lower than most magazines.

Fiction Temp Closed

Audience:

Open to a broad Audience.

Genres:

Science Fiction Open to all/most Subgenres, excluding Alternate History, Contemporary/Near Future, Retrofuturism

Lengths:

Short Story: 3,000 - 7,000 words; Up to 2 pieces.

Styles:

Open to all/most Styles, including: Mainstream.

Topics:

Open to all/most Topics.

Payment:

Semi-pro payment (1-4.9 US cents per word) Semi-pro payment. Details: USD $0.02/word for originals; $0.01/word for reprints.

Submissions:

Method: Moksha submission manager.
Reprints: Reprints are allowed.
Simultaneous submissions: Simultaneous submissions are allowed.
Media: Text.

Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary.

Folded Space Submission Statistics

The statistics in this section are compiled from submission reports sent to us through our submission tracker. They are not provided by the publication's editors/staff or by Duotrope's admins. Information in this section is updated a few times per day. Learn more about the statistics.

Filter:
Accuracy
We have received 14 reports from 12 different members within the past 12 months. The more responses reported, the more accurate the information.
Days Reported
0 min | 13.9 mean avg | 14.5 median | 58 max days (15.1 std dev)
Responses
92.86 %
Acceptances:
0.00 % No publication has a 0% acceptance rate. This data is based on submission reports sent to Duotrope, and we have not received reports of any acceptances yet.
Rejections:
92.86 % (15.0 avg. days per rejection) | 0.0 % personal, 84.6 % form, 15.4 % unspecified | 7.1 % shortlisted
Non-Responses
0.00 %
Lost/Returned:
-
Never Responded:
-
Withdrawals
7.14 % (0.0 avg. days per withdrawal)

Other Information

The editors will try to make a decision within 90 days.
Do not query on the status of your submission before 90 days have passed.
Most submissions are acknowledged on the same day.
Most recent response reported was received on 03 May 2026.
Responses have been received for submissions sent as recently as 28 Apr 2026.
Date compiled: 15 Sep 2026 03:30 UTC (5 hours, 48 minutes ago).

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Before Submitting

We cannot guarantee that the information on this page is correct. It is not unusual for publications to evolve or close without notice. We do our best to keep up, but it isn't always possible. Duotrope listings do not imply endorsement or recommendation of the project being listed. Before submitting, you should use your own judgment to determine whether the project meets your standards.

  • Always read the full guidelines provided by the publisher.
  • Try to read at least one previous publication to get a better idea of what the editor would like to see.
  • Unless the publisher's guidelines state otherwise, always use industry standard manuscript formatting.
  • Be professional, patient, and persistent.

Dates

Last Updated: 04 Aug 2026

We check their guidelines for changes every four weeks, and we audit the listing twice a year.

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