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Jen Marshall

An agent with Aevitas Creative Management (see other agents at this agency).

About

Jen Marshall represents acclaimed and bestselling narrative nonfiction projects such as Joe Pompeo’s Blood and Ink, which was named Best True Crime of 2022 by the New York Times Book Review, Danielle Dreilinger’s The Secret History of Home Economics, which was the recipient of a Silvers Grant for Work in Progress and longlisted for the Carnegie Medal, and, with colleague Will Lippincott, Paul Pringle’s Bad City, a Los Angeles Times bestseller. She also represents select literary and commercial fiction projects, such as Keziah Weir’s debut The Mythmakers and Jenny Minton Quigley for the O. Henry Prizes, collected annually as The Best Short Stories.

Jen’s areas of interest in nonfiction are wide-ranging: investigative journalism, untold histories, fashion and design, social justice, true crime, tech, business, science, cities, and pop culture. In fiction, Jen primarily seeks literary and commercial works for adults.

Jen brings to her work as an agent a thorough understanding of the publishing and bookselling industries, as well as deep expertise in public relations and audience-building for authors. She joined Aevitas after almost twenty years working for the Knopf Doubleday Publishing Group at Penguin Random House in various roles from Director of Publicity for Anchor Books to Publicist at Large for the imprint. Prior to that, she worked as an independent bookseller at the Odyssey Bookshop in South Hadley, MA. As a publicist, Jen worked closely with a wide range of award-winning and bestselling authors, including Margaret Atwood, P.D. James, Dani Shapiro, Dan Brown, Mona Simpson, Chris Bohjalian, E L James, Thomas Cahill, Claire Messud, Erin Morgenstern, Joseph Ellis, and Karen Armstrong. A native of northwest Connecticut, Jen graduated from Bucknell University with honors in English. Jen divides her time between ACM’s New York office and her home in Western Massachusetts.

Country

United States

AI Policy

Unknown AI policy

Collapse section Fiction Temp Closed

Audience:

Open to a broad Audience.

Genres:

General Open to all/most Subgenres
Fantasy Open to all/most Subgenres
Mystery/Crime Open to all/most Subgenres
Science Fiction Open to all/most Subgenres
Suspense/Thriller Open to all/most Subgenres

Lengths:

Novel

Styles:

Open to all/most Styles, including: Literary, Mainstream.

Topics:

Open to all/most Topics.

Submissions:

Method: QueryTracker.
Simultaneous submissions: Simultaneous submissions are allowed.

Collapse section Nonfiction Temp Closed

Audience:

Open to a broad Audience.

Lengths:

Book

Styles:

Open to all/most Styles, including: Literary, Mainstream.

Topics:

Open to all/most Topics including...
Society/Culture: Pop culture.
Style/Beauty.

Submissions:

Method: QueryTracker.
Simultaneous submissions: Simultaneous submissions are allowed.

Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary.

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Jen Marshall Submission Statistics

The statistics in this section are compiled from submission reports sent to us through our submission tracker. They are not provided by the agency or by Duotrope's admins. Information in this section is updated a few times per day. Learn more about the statistics.

We have not received any submission reports for this listing in the past 12 months.

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  • Always read the full guidelines provided by the agency/agent.
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Dates

Last Updated: 07 Jun 2026

We check their guidelines for changes every four weeks, and we audit the listing twice a year.

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