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Kimberly Brower

An agent with Park, Fine & Brower Literary Management (see other agents at this agency).

About

Kimberly fell in love with reading when she picked up her first Babysitter’s Club book at the age of seven and hasn’t been able to get her nose out of a book since. She holds a BS in Business Administration from California State University, Northridge and received her JD from Loyola Law School, Los Angeles. After spending a decade in the business world, it was kismet that she found herself in publishing. She previously worked for over two years at a boutique literary agency before starting her own, Brower Literary & Management, which she ran on her own for eight years before joining with Park & Fine Literary & Media to form Park, Fine & Brower Literary & Management.

Kimberly works with all types of authors who write commercial fiction, from debuts to #1 New York Times bestselling authors, and likes to consider them all her favorites. She has the unique experience of assisting self-published authors, whether it is finding homes for their subsidiary rights and/or supporting them as they enter traditional publishing. In addition, she has been successful in helping authors take their careers to the next level, as shown by her early foresight in advocating for print only deals.

While being incredibly hands on with her clients, from idea conception to post-publication, Kimberly loves to work with each author to come up with a unique strategy to ensure that the proper steps are taken to help them not only create long, profitable careers, but to continue to grow them year after year, decade after decade. In addition to traditional publishing, she works directly with her clients in facilitating opportunities to license and expand their foreign/translation, audio, film/TV and merchandising rights, while also advising them on their marketing and publicity plans. After joining forces with Theresa Park and Celeste Fine, she is eager to work with their combined talented staff to continue to build a place where authors know they will find not only years of experience in the industry, but people who are committed to their continued success.

This agent may not respond to all queries. After waiting a reasonable amount of time, assume your submission will not be accepted.

Country

United States

AI Policy

Unknown AI policy

Fiction Open

Kimberly is interested in adult commercial fiction, with an emphasis on women’s fiction, romance, thrillers/domestic suspense, speculative fiction, contemporary YA/New Adult crossover, and grounded romantasy. She is always looking for books that she wants to stay up all night reading, unable to put down, regardless of what genre an author classifies it as.

Audience:

Open to a broad Audience. Excluding: Young adults.

Genres:

General Open to all/most Subgenres, including: Women's Fiction
Fantasy Open to all/most Subgenres, including: Magic Realism
Horror Open to all/most Subgenres, including: Magic Realism
Romance Open to all/most Subgenres
Science Fiction Open to all/most Subgenres
Suspense/Thriller Open to all/most Subgenres

Lengths:

Novel

Styles:

Open to all/most Styles, including: Literary, Mainstream.

Topics:

Open to all/most Topics including...
Sexuality/Gender: Adult relationships.
Other: See guidelines.

Submissions:

Method: Email.
Simultaneous submissions: Simultaneous submissions are allowed.

Always check guidelines for details and restrictions. If you aren't familiar with these terms, see our glossary.

Agent Impersonation Scams are becoming commonplace.
A legitimate agent will not contact you and request money to represent you. Never pay an agent an up-front fee. That is not how literary agent representation works. Agents earn a commission only after they've landed a publishing deal for you. Also, agents scarcely ever contact writers. If an agent that you haven't queried contacts you about representation, be suspicious. Look up the agent and check if the email address is correct for that agent/agency.

Kimberly Brower Submission Statistics

The statistics in this section are compiled from submission reports sent to us through our submission tracker. They are not provided by the agency or by Duotrope's admins. Information in this section is updated a few times per day. Learn more about the statistics.

Filter:
Accuracy
We have received 1 report within the past 12 months, not including pending responses (see below). The more responses reported, the more accurate the information.
Pending
4 responses are pending (27 min | 75.3 mean avg | 78.5 median | 117 max days waiting | 838.0 std dev) from 4 different members This only includes pending reports from people who have been active on Duotrope within the past 30 days

Other Information

This agent may not respond to all queries. After waiting a reasonable amount of time, assume your submission will not be accepted.
Date compiled: 15 Sep 2026 05:21 UTC (4 hours, 38 minutes ago).

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Before Submitting

We cannot guarantee that the information on this page is correct. We do our best to keep up, but it isn't always possible. Duotrope listings do not imply endorsement or recommendation of the agent or agency being listed. Before submitting, you should use your own judgment to determine whether the agent/agency meets your standards.

  • Always read the full guidelines provided by the agency/agent.
  • Unless the agency's guidelines state otherwise, always use industry standard manuscript formatting.
  • For agency submissions, it is standard to submit a query letter and sample instead of the full manuscript. Do this unless otherwise instructed.
  • Be professional, patient, and persistent.

Dates

Last Updated: 09 Sep 2026

We check their guidelines for changes every four weeks, and we audit the listing twice a year.

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