Lucy Morris

In fiction, I represent both commercial and literary writing. I am interested in topical themes, incisive social commentary and thoughtful, intimate observations of people: their emotions, their behaviours, their relationships. Books with heart and humour, and voices that sparkle with originality. Long-time favourites include Megan Abbott, Liane Moriarty and Marian Keyes, and recently I’ve loved Tia Williams’ Seven Days in June, Clare Chambers’ Small Pleasures, and Rachel Khong’s Goodbye Vitamin. I have read (and will continue to read) everything that Mhairi Macfarlane has ever published – modern and completely irresistible love stories, underpinned by spirited characters and a fierce wit. In crime and thriller I look for high concepts with an emotional core, and am very lucky indeed to work with Gillian McAllister, queen of the moral dilemma!

In non-fiction I enjoy working with writers to bring their passion and expertise to a wide audience in books that are practical and accessible, told with an engaging voice. I have a particular soft spot for memoir, stories of extraordinary lives and remarkable careers. I’m always intrigued by an unusual approach to putting a life on to the page, think Maggie O’Farrell’s masterful I Am, I Am, I Am, or the food vignettes of Nigel Slater’s Toast.