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Editor Interview: FreeFall Magazine

Describe what you publish in 25 characters or less.

Scintillating Syntax

What other current publications (or publishers) do you admire most?

We love Vehicule Press, Biblioasis Press, Frog Hollow Press, Geist, The Fiddlehead, (this is like an Oscar speech where you have too many names and not enough time) ARC poetry, there are others. We are looking for work that has interesting ideas, authors who are interested in the 'how' of what is said, and good old fashioned crafts-person-ship (is that a word?) on a sentence level.

If you publish writing, who are your favorite writers? If you publish art, who are your favorite artists?

Our favourite fictionistas include:
Douglas Glover
Mark Anthony Jarman
Lisa Moore
Betty Jane Hegerat
Rebecca Rosenblum
Alexander MacLeod
Our favourite poets include:
Patricia Young
Don Coles
Carmine Starnino
Asa Boxer
Richard Harrison
Rosemary Griebel
Stephanie Bolster

What sets your publication apart from others that publish similar material?

We have a strongly Alberta focus and we introduce first time authors to major names. We are the talent scouts of Canadian literature.

What is the best advice you can give people who are considering submitting work to your publication?

Read the submission guidelines. Be sure you have practiced your craft. Read widely. If I ask who your favourite poet is, don't answer Garth Brooks.

Describe the ideal submission.

Seamus Heaney's

What do submitters most often get wrong about your submissions process?

They send emotional drivel. That isn't to say that a piece with emotion or feeling is a bad thing. Just be sure that emotion is filtered through a deep understanding and respect for language, stucture, and craft. Consider the Freefall method: to write without concern for editing. That is not the best submission. Let's be clear.
Susan would say spelling errors in your cover letter or sending in too many poems.

How much do you want to know about the person submitting to you?

I want to know the person's name because I want to send them a check for their work. Otherwise, it doesn't matter how much we know. It is the work that has to stand up for itself among a sea of other works. We have to be able to identify the voice within the piece - that is far more imoprtant to us than a biography or list of accolades.

If you publish writing, how much of a piece do you read before making the decision to reject it?

I'm taking the 5th.

What additional evaluations, if any, does a piece go through before it is accepted?

After a piece is moved to a short list, the editors meet and have intensive discussions about merits and issues with the piece. These discussions require several pots of coffee and the pieces are thoughtfully considered and ordered. Again, merit is what drives us to publish a piece: Is it linguistically interesting? Does it say something new about the human condition? Does it have charisma on the page?

What is a day in the life of an editor like for you?

Busy. Busy. And busy. Sometimes I wish I could clone myself, until I think of Michael Keaton in Multiplicity.

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