Editor Interviews
Members' Area: You are not logged in. You need to
log in to access this feature.
Sign up if you haven't already. All new accounts start with a free trial.
Read all the editors' answers to Duotrope's interview question: What other current publications (or publishers) do you admire most? Learn more.
Free Preview
Here is a small sampling from our recent Editor Interviews. We have interviewed over 2,250 editors.
Q: What other current publications (or publishers) do you admire most?
A: It’s hard not to admire Veronica Bennett’s one-person, no-frills-but-also-lots-of-frills operation Bullshit Lit, which publishes seriously good poetry, complete with a set of engaging social media accounts and a beautifully crafted website. It’s proof that a sharp, creative individual can build a platform where great work can find its audience, and the poetry is both accessible and stylish. Beyond Bullshit Lit, I’ve always admired the legacy and reach of Poetry Magazine. Its long history as a cornerstone of the poetry world is inspiring, but what stands out most is its evolution—bringing diverse voices to its pages while staying rooted in its mission to elevate the art form. Similarly, Rattle is a standout publication that manages to combine approachability with incredible quality. Their interviews, themed issues, and dedication to spotlighting both established and emerging voices make poetry feel always alive and vibrant. Then of course there are the more mainstream magazines you might stumble upon at Barnes & Noble like The Paris Review or The New Yorker, which include poetry as part of their broader, wider literary offerings. They’re vital for bringing poetry into the hands of casual readers who might not seek it out otherwise. Seeing a poem in a glossy, widely circulated magazine adds a layer of legitimacy. Ultimately the goal with Prairie Home is to put poetry in the hands of more people, whether it be through clever social media campaigns or surprising them with a perfect poem. It's about finding the set of possible doorways into someone’s life and letting good poetry walk right through.
A: Some of our favourite publishers here in Ireland include SEED: Objects of Wonder Journal, Banshee Press, Aimsir Press and Skein Press. Internationally, a wealth of journals and small presses focused on nature, place and ecological thought – Hazel Press, The Willowherb Review and Orion to name a few – have offered inspiration for our work.
A: The Times Literary Supplement
A: So many journals are doing the good work of supporting literary arts in this era of humanistic austerity. I am a big fan of some of the well-known magazines, such as Poetry, Ploughshares, Greensborough Review, and Agni. I also admire Tim Green's work with Rattle, keeping poetry at the center of public discussions. I have a sweet spot for journals published along and/or near the Rustbelt, including West Branch, Passages North, Third Coast, and, of course, Belt Magazine. I'm inspired by the work of colleagues of mine, in particular, Michael Meyerhofer at Atticus Review and Sarah Brockhaus and John Nieves at The Shore for advancing the voices of newer writers and embracing the risk-taking of newer digital poetry media, including multimodal poems.
A: Poetry Daily, Graywolf Press, American Short Fiction, Paris Review, Colorado Review, Kenyon Review
A: The Archetype is one of many magazines I admire. The magazine strives to recognize works that reminds us that “we are made of flesh.” I think it’s beautiful how the magazine searches for truly authentic works that reflects who we are at our core. Hoping that The Malu Zine can give comfort to artists, I inspire to create a welcoming writing community where artists can feel comfortable sharing their works like the Archetype.
A: I admire Wave Books for their beautiful design and consistent editorial vision. I love seeing new presses, like Thirdhand Books (3rdhandbooks) and River River Books, as they come into being, forwarding a point of view about what matters in the writers they choose. I love Prompt Press for their innovative and collaborative work.
A: Marble Press publishes highly selected books for young readers. We strive to provide child-friendly stories that emphasize different aspects like social-emotional learning, STEM and improving literacy skills. We also plan to publish "craft" books. Marble Press loves early-reader and middle-grade graphic novels.
A: I greatly admire several current publications and publishers that resonate with my vision for Dark Holme Publishing.
One standout is Tor Nightfire, which excels in publishing innovative horror and dark fantasy literature. Their commitment to nurturing both established and emerging voices aligns with my goal of promoting diverse perspectives within the genre.
I also respect Nightmare Magazine for its dedication to high-quality horror fiction and insightful essays. They provide a platform for a variety of styles and themes, reflecting the richness of the horror community.
Another publisher I admire is Cemetery Dance Publications, known for their beautiful limited editions and their ability to highlight both classic and new talents in horror literature. Their long-standing presence in the field exemplifies a commitment to quality that I aspire to uphold.
Unnerving Magazine is also notable for its focus on dark themes and innovative storytelling, creating a space for voices that often go unheard.
Finally, The Dark Magazine stands out with its blend of horror and dark fantasy, offering a platform for both established authors and newcomers. Their dedication to quality fiction echoes my own commitment to inclusivity and representation in publishing.
Each of these publications inspires me to push the boundaries of horror literature and support diverse voices, which is at the heart of what I aim to achieve with Dark Holme Publishing.
A: Past Publishers: Fantastic Magazine, Weird Tales, and The Argosy
Current: Grimdark Magazine and Infinite Worlds
A: There's so many great indie magazines and presses, it's hard to choose! I admire every publisher who is doing the work to support writers and artists. Split Lip Magazine publishes incredible work and supports their writers in multiple ways. Pithead Chapel publishes gutsy, haunting pieces and they're always free to submit to. Presses like rinky dink press work hard to make accessible, pocket-sized literature.
A: Volt, BOMB, Ugly Duckling's Second Factory.