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Editor Interview: Unbroken

Describe what you publish in 25 characters or less.

Poetic prose.

What other current publications (or publishers) do you admire most?

Pidgeonholes and freeze frame fiction are two of my favorites. Pidgeonholes is consistently publishing fiction and poetry that stick with me as a reader; and I like freeze frame because I love flash fiction and they have put together a topnotch journal of flash fiction.

If you publish writing, who are your favorite writers? If you publish art, who are your favorite artists?

Oh, gosh, that's a hard one. There are so many. Currently I'm enamored with Cormac McCarthy. As far as prose poems, I really like Russell Edson.

What sets your publication apart from others that publish similar material?

For starters, there's not a lot of publications out there that publish in the block, unlineated form that we like at Unbroken. Also, our issues are substantial, we usually end up with between 15 to 20 thousand words an issue. And I personally match each piece with its own photo.

What is the best advice you can give people who are considering submitting work to your publication?

To read previous publications, so they can see the kind of thing we like.

Describe the ideal submission.

The idea submission follows our guidelines first of all. After that, it's a piece of writing that does something unexpected with language, that makes me go, WOW.

What do submitters most often get wrong about your submissions process?

For the most part, our contributors follow the guidelines. One thing that has come up a couple of times has been where we've accepted a piece, and then been informed as we approach publication that the author has been accepted by another journal that they “really wanted” and they no longer wish to publish with us. That's a little frustrating.

How much do you want to know about the person submitting to you?

Cover letters are great, it's nice to get to know people, but they're not necessary. Publishing credits don't influence our decision one way or the other.

If you publish writing, how much of a piece do you read before making the decision to reject it?

I can usually tell within a few paragraphs if a piece is a good fit or not. Most of our submissions are short, though, so I usually read all the way through.

What additional evaluations, if any, does a piece go through before it is accepted?

None that I can think of. If I like it, I accept.

What is a day in the life of an editor like for you?

My reading process is fairly simple. I don't have slush readers currently, it's just me. I check emails early in the morning, look through new submissions, and answer ones from the day before. I usually respond one way or another within a day or two.

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