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Editor Interview: burntdistrict

This interview is provided for archival purposes. The listing is not currently active.

Describe what you publish in 25 characters or less.

Sharp, crafted writing.

What other current publications (or publishers) do you admire most?

Willow Springs
Beloit Poetry Journal
Iron Horse Literary Review
Sugar House Review
Los Angeles Review
Rattle

If you publish writing, who are your favorite writers? If you publish art, who are your favorite artists?

Our favorite poets are risk takers, are well-read, and are aware of their own aesthetics. Currently, some of our favorites are Steve Langan, Alex Lemon, Francesca Bell, William Trowbridge, Joanna Pearson, and Vikas Menon.

What sets your publication apart from others that publish similar material?

Our submissions are always open. We read quickly and respond in less than a month, often within days. We only accept work we love, that we want to read over and over, that we want to show to all of our friends. We are passionate about the poems we take on, and we take very seriously our commitment to getting them out into the world as widely as possible.

What is the best advice you can give people who are considering submitting work to your publication?

Be professional and send your strongest work.

Describe the ideal submission.

Our ideal submission follows submission guidelines and indicates that we are dealing with a professional writer and a decent human being.

What do submitters most often get wrong about your submissions process?

Some submitters upload each poem as a separate submission. Occasionally, we receive an unsolicited submission via e-mail. We do not read e-mail submissions from writers we don't already know.

How much do you want to know about the person submitting to you?

Our decisions are based solely on the work in front of us. However, we see each submission as a potential relationship. We want to know who you are. We want to see where you’re publishing. We want to see that you are already invested in the broader literary community, that you believe in your work, and that you’re doing everything within your power to get it out in the world.

If you publish writing, how much of a piece do you read before making the decision to reject it?

As much as we need to. Sometimes, we can tell immediately that the work is not a fit, but even in this case, we'll read at least a few lines of every poem in the submission to see if something catches our interest. The vast majority of the time, the entire submission is read through at least once.

What additional evaluations, if any, does a piece go through before it is accepted?

We do not use readers. One of the editors reads every submission. Most acceptances begin when one of us comes across a poem that makes her pick up the phone to call the other and say, “you have to read this poem right now.” Most poems that reach the point of serious deliberation are read aloud several times.

What is a day in the life of an editor like for you?

Busy. We read submissions, send contracts, plan promotional events, work on layout, and try to maintain a web-presence. We also have jobs, families, lives, and writing of our own to do/revise/send out.

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