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Editor Interview: Fourteen Hills

Describe what you publish in 25 characters or less.

Surprising work

What other current publications (or publishers) do you admire most?

Trnsfer, Black Warrior Review, Fifth Wednesday, Best Non-Required Reading series

If you publish writing, who are your favorite writers? If you publish art, who are your favorite artists?

Adrienne Rich, Kazua Ishiguro, Alain Robbes-Grillet, Toni Morrison, Wassily Szymborska, Colum McCann, Michael Cunningham, Pam Houston, Robert Gluck

What sets your publication apart from others that publish similar material?

We are willing to take a chance on material and writers that excite us, no matter their credential.

What is the best advice you can give people who are considering submitting work to your publication?

Definitely know who you're submitting to, but send everywhere! You never know who will feel drawn to your work. Don't limit yourself to a self-prescribed writing label.

Describe the ideal submission.

One that balances grace with intellect, form and content, and surprises without unnecessary gimmicks.

What do submitters most often get wrong about your submissions process?

Submitters are generally respectful and dutiful with following our guidelines. We don't accept postage submissions anymore, though, starting this past January!

How much do you want to know about the person submitting to you?

It doesn't matter. If we like/accept the work, we'll then ask for more information.

If you publish writing, how much of a piece do you read before making the decision to reject it?

We read all of a submission. It's only fair to the writer. To determine a work's merit without reading its entirety is to base value on a formula. We don't like formulas.

What additional evaluations, if any, does a piece go through before it is accepted?

It is first read by a genre editor. If it is of interest, it is then placed in a packet of material to be reviewed by the entire genre staff. If it is reviewed well, it becomes part of a later, larger discussion determining what goes in the next edition, including but not limited to emerging themes and formal considerations.

What is a day in the life of an editor like for you?

Smooth frenzy. Think Steve Reich. Our staff is incredible, however, so that reduces the vascillation in our heads to more Philip Glass a la Koyaanisqatsi.

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