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Editor Interview: Johnny America

Describe what you publish in 25 characters or less.

Oddballs, micros, humor.

What other current publications (or publishers) do you admire most?

Monkeybicycle, the New Yorker, the Lowbrow Reader, McSweeney’s, and of course MAD Magazine.

If you publish writing, who are your favorite writers? If you publish art, who are your favorite artists?

We don’t play favorites, but some of my favorite repeat writers we’ve printed include Eli S. Evans, James Spillane, and Kyle Sundby.
I love Pynchon at his funniest, Sedaris at his drollest, Chuck Klosterman most of the time, and Philip K. Dick for warping minds in all the right ways.

What sets your publication apart from others that publish similar material?

We have superior core strength and better-defined abdominal muscles. Our published work reflects our interests in both the lowest of lowbrow and more lofty literary larks.

What is the best advice you can give people who are considering submitting work to your publication?

Please read a fair amount of our recent published work before submitting and of course please peruse our submissions guidelines. We publish everything from whimsical reviews of lottery ticket scratchers to serious and sincere fiction, so while we don’t have a definable type of story we’re looking for, we do have a sensibility that you’ll only register by reading a chunk of our catalog.

Describe the ideal submission.

Clocking in between 250 and 1,500 words, submitted with a brief but thoughtful cover note, proofread and edited to the nines such that we don’t want to change a comma.

What do submitters most often get wrong about your submissions process?

They fail to mind our extremely explicit list of topics and themes we could do without and send us their rejects from The Onion or McSweeney’s Internet Tendency.
A fair number of submitters continue send us college drug stories, which only work if you were there, or are in college, or are presently on drugs. It’s unlikely we were there, and we’re long past college.

How much do you want to know about the person submitting to you?

We appreciate a brief note of introduction, which will help us gauge whether you’re actually targeting our little publication or just sending the same submission to every email address you could find on the Internet. Publication credits are fine but mostly ignored — chances are good that most of the publications will be as obscure as ours, and we’ll never have heard of them.

If you publish writing, how much of a piece do you read before making the decision to reject it?

We read each piece from beginning to end, though we usually have a good inkling of whether it’s right for us by the tail of the first paragraph.

What additional evaluations, if any, does a piece go through before it is accepted?

None.

What is a day in the life of an editor like for you?

Mostly I just laze around in luxe pajamas, drinking a coffee or a glass of wine depending on my mood, reading submissions from whatever soft surface is most agreeable to our house cats.

How much do you edit an accepted piece prior to publication?

Just as much as is necessary.

Do you nominate work you've published for any national or international awards?

From time to time we’ve done so, but most our our work is on the short-ish side of award criteria, so mostly we do not.

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