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Editor Interview: petrichor mag

Describe what you publish in 25 characters or less.

Text & Image

What other current publications (or publishers) do you admire most?

Afternoon Visitor, ctrl + v, voidspace, Clade Song, Black Stone / White Stone, DATABLEED, A Velvet Giant, Word for / Word

If you publish writing, who are your favorite writers? If you publish art, who are your favorite artists?

Sy Hoahwah, Catherine Weiss, Jake Skeets, Catherine Vidler, Douglas Kearney, Kayleb Rae Candrilli, Harmony Holiday, William Matthews, Sherwin Bitsui, Cy Twombly, Mary Ellen Solt, Linda Hogan, Craig Santos Perez, Iliana Rocha, Ross Gay, Xandria Phillips, Seamus Heaney, Geoffrey Hill, James Wright.

What sets your publication apart from others that publish similar material?

We're not the only journal that publishes hybrid work , but we feel we are perfectly at home with the pastoral, the abstract, the urban, the digital, and the visual all in one. Too often, journals with vague guidelines seem to nevertheless have a singular house-style, and the work they accept all falls within that milieu. We want our issues to be unpredictable. Readers should not be able to predict the content of the next issue based on the last one.

What is the best advice you can give people who are considering submitting work to your publication?

Don't be afraid of creating something.

Describe the ideal submission.

Whatever Sappho might've written after binging Battlestar Galactica.

What do submitters most often get wrong about your submissions process?

A little nitpicky, but: to withdraw work please reply to your original submission email.

How much do you want to know about the person submitting to you?

We specifically do not require cover letters, though we do ask for third-person bios. We don't usually read them until after an acceptance. Conversely, in the recent years, toxic "artists' are being held more accountable for their behavior, and we strive to do our homework in that regard.

If you publish writing, how much of a piece do you read before making the decision to reject it?

It varies. If the first poem isn't working for us, it's usually a bad sign; however, we're sometimes pleasantly surprised as we keep reading. Overall, we advise wordsmiths, vispoets, and all blenders in-between to sort your best work up front. We want you to believe in your strongest material so we can too.

What additional evaluations, if any, does a piece go through before it is accepted?

We usually descend to our secret lair underneath a former Blockbuster, make a circle of candles, bring the work up on a tablet or laptop, and chant "But is it art" for about forty minutes straight. After that, we know how we feel for sure.

What is a day in the life of an editor like for you?

You know those moments in automated check-out where the robot voice says "Unexpected item in bagging area?" A lot of that.

How much do you edit an accepted piece prior to publication?

Minor concessions are sometimes made regarding spacing, but we've seldom needed to query a poet about a perceived typo, garbled meaning, or one crummy line. We send out proofs to all contributors prior to making the work public, so that formatting mistakes or operator errors can be nipped.

Do you nominate work you've published for any national or international awards?

Our work has appeared in Best of the Net, for which we regularly nominate. We might start nominating for Pushcarts if prospective nominees bribe us with strawberry Kit Kats [Disclaimer: our editors cannot actually be swayed by any form of imported candy, even strawberry Kit Kats].

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