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Editor Interview: 96th of October Editions

Describe what you publish in 25 characters or less.

Poetry and prose

What other current publications (or publishers) do you admire most?

None at present. The big publishers go for trash that sells; the small presses go for trash that doesn't. We go for trash that should.

If you publish writing, who are your favorite writers? If you publish art, who are your favorite artists?

Anna Akhmatova, Gabriela Mistral; Alice Neel, Eva Zeisel.

What sets your publication apart from others that publish similar material?

We publish work of the highest quality with no regard to sales. We have a feminist mission which does not confuse literary quality with politics, or confuse feminism with unrelated "intersectional" issues.

What is the best advice you can give people who are considering submitting work to your publication?

Be literate. If you don't know Shakespeare and the King James Bible, you're not even dealt into this game.

Describe the ideal submission.

Quirky. Cultured. Lapidary.

What do submitters most often get wrong about your submissions process?

They send their work as an attachment rather than pasting it into the body of the email.

How much do you want to know about the person submitting to you?

Every work is considered on its own merits. Cover letters are useless, if not annoying.

If you publish writing, how much of a piece do you read before making the decision to reject it?

Depends. If there are four letter words in the first paragraph without a compelling reason, we're done. Ditto for misuse of words—an enormity is not something that is very big. Sometimes we skip to the end: if the plot resolution is a bloodbath, we're done. *Belles Lettres* is our game.

What additional evaluations, if any, does a piece go through before it is accepted?

It's usually looked over by interns before it gets kicked upstairs to an acquiring editor.

What is a day in the life of an editor like for you?

A lot of very good tea to get through a lot of very bad prose.

How much do you edit an accepted piece prior to publication?

A piece has to be in good shape before we see it. We don't do developmental editing or teach remedial English. If we like your work, we will not mess with it, except to suggest emendations where there are indisputable problems of clarity or continuity.

Do you nominate work you've published for any national or international awards?

Rarely, unless we think we can hit a bullseye.

How is your project funded?

Self supporting through our own contributions. All profits from books go directly to the authors until they sell 1,000 copies in a single year (yeah, right), at which point we go to 50-50. We are not for profit and not for everybody.

How do you promote your project and published authors/artists?

We feature their work in our magazine and bookstore. Beyond that, they're on their own. Advertisements and reviews do nothing to sell books. Word of mouth, a groundswell of Amazon reviews—these, which are out of our hands, make a difference.

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